George Michael’s Private Art Collection Goes Under The Hammer

Over 170 works from British late pop star George Michael’s impressive art collection will be offered by Christie’s across a flagship live auction in London on 14 March, and a special online sale (8-15 March) — with proceeds used to continue George Michael’s philanthropic work.
The George Michael Collection represents a unique dialogue between a great British music artist and his contemporaries in the visual arts, such as Damien Hirst, Tracey Emin, Sarah Lucas, Michael Craig-Martin, and Marc Quinn, who rose to prominence by challenging the status quo, and together created the Young British Art movement.

George Michael developed friendships with many of these YBA artists through visits to galleries and their studios, and the collection reflects his dedication to cutting-edge creativity as well as his instinctive and long-held willingness to support young, emerging artistic talent.
Key works in the sale will include Damien Hirst’s The Incomplete Truth (2006), an emblematic work from the ‘Natural History’ series, in which formaldehyde-suspended animals and organs become spectacles of iconic power, provocatively probing the relationships between life, death, art, faith, and science.
Tracey Emin’s Drunk to the Bottom of My Soul (2002) is another standout — a large-scale example of the artist’s celebrated appliquéd blankets, which transform traditional textile-based media into vehicles for raw, confessional poetry. Bridget Riley’s Songbird from 1982, meanwhile, was among George Michael’s favourite works and hung above the fireplace in one of the homes owned by the artist who won three Grammy Awards, two Brits and performed the first concert at the new Wembley Stadium.

Ahead of the sale in London, an expansive global tour of the collection will pay tribute to the groundbreaking spirit of George Michael. The tour will include a stop in China where Wham! played two historic concerts in 1985, becoming the first major Western act to perform in the country.
Opening in New York (8-11 February) and also including exhibitions in Los Angeles (11-16 February) and Hong Kong (19-22 February), the tour will conclude in London with the collection appearing in a special public view at Christie’s headquarters (9-14 March).